0 results for 'Twentieth Century Fox Film Corporation'
Preparing for a Rule 30(b) Deposition
Daniel A. Cohen, a partner at Kornstein Veisz Wexler & Pollard, writes that recent decisions highlight the perils of failing to prepare corporate witnesses adequately for Rule 30(b)(6) depositions. In some cases, the courts have awarded deposition fees as sanctions, or deemed certain facts admitted in favor of the deposing party. Even if the witness' lack of preparation does not expose the corporation to sanctions, the resultant testimony can lock the corporation into an unfavorable position at trial.A business contract case gets 'star' treatment
A California Supreme Court case that seeks to determine whether punitive damages apply in certain business contracts involving inventors has attracted a seemingly unlikely participant: the entertainment industry.Best Legal Department 2011: Best of the Rest
In addition to our Best Legal Department winner and finalists, here are some more top-notch departments we liked this year.View more book results for the query "Twentieth Century Fox Film Corporation"
Redbox Picks an Antitrust Fight With Hollywood
Hollywood movie studios are turning up the volume against Redbox, recruiting some of the nation's top antitrust experts to wipe out three lawsuits whose outcomes could determine the future of the DVD market.Man vs. Machine in the Halls of Justice
Technology: The Supreme Court Forecasting Project matches a computer against anonymous legal experts to predict the results of pending cases. Last term, three IP cases were before the Court. The computer called the right result every time, but the experts were wrong.Corporate Compliance Programs and the Sentencing Guidelines
William H. Devaney, a former federal prosecutor and a partner at Heard & O'Toole, writes that practitioners should look to the recent amendments to the federal sentencing guidelines defining an "effective" corporate compliance program more as a means of avoiding indictment than mitigating a sentence.Visual Artists Benefit From a Delicate Copyright Balance
Those who represent the creators of visual expression -- fine art and film -- often sit on both sides of the IP fence. Copyright protects the integrity of the artist's production; however, artists also build on works created by others. This tension between balancing IP rights and recognizing the public interest is evident in a wider debate in the digital age. The heart of the matter is whether existing doctrines are flexible enough to permit new technology to reach full potential.Revenue, Profit, Cash: Managing Law Firms for Success
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Law Firm Operational Considerations for the Corporate Transparency Act
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The Ultimate Guide to Remote Legal Work
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Practical Guidance Journal: Protecting Work Product in a Generative AI World
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