Even if engineers make the sound brighter or cleaner, they do not alter the expressive character and identity of the original recording. The decision wipes away a creative defense mounted by broadcasting companies.
August 20, 2018 at 04:25 PM
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Al Green performing at the New Orleans Jazz & Heritage Festival in 2012. (Photo: thepipe26/Wikimedia Commons)
With an assist from Toucan Sam and Tony Bennett, owners of pre-1972 sound recordings no longer have to worry about losing their common law copyright claims to a creative theory developed by CBS and Irell & Manella.
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