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Casey Anthony is back. The made-for-TV movie, that is, based on the book written by the prosecutor. The tag line for the film — “It was the perfect case to end his career” — brings to mind a question that surely the producers never intended to raise: Do movie deals and big book advances for prosecutors in high-profile capital cases — particularly when the money is enough to retire on — undermine a prosecutor’s decision to seek the death penalty?
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