Egon Schiele, Woman Hiding her Face (1912). (Courtesy photo)
Much of the hotly litigated fight over whether the state’s Court of Appeals should grant leave to appeal focuses on the interpretation of, and weight to be accorded to, a previous federal case involving a different drawing from the same 1930s art collection.
March 05, 2020 at 12:51 PM
1 minute read
Staff reporter
For Ramos in the state Supreme Court, the Nazis’ original persecution of Grunbaum, and how his art collection came into his wife’s possession, was central.
He wrote that the Nazis took away Grunbaum, but left behind his wife, Elisabeth Grunbaum-Herzl. Then once Grunbaum was at Dachau, he was forced, perhaps at gunpoint, to sign power of attorney over his possessions to her.
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