One of my first memories is of the murder of 11 Israeli athletes at the 1972 Munich Olympics. I was four years old, and I recall being confused that my family’s excitement over Mark Spitz’s gold medals changed to horror over “gorillas” who had taken the Israelis hostage.

They’re called terrorists now, and how their victims’ governments respond is the question probed by Steven Spielberg’s tense and sobering “Munich.”

This content has been archived. It is available through our partners, LexisNexis® and Bloomberg Law.

To view this content, please continue to their sites.

Not a Lexis Advance® Subscriber?
Subscribe Now

Not a Bloomberg Law Subscriber?
Subscribe Now

Why am I seeing this?

LexisNexis® and Bloomberg Law are third party online distributors of the broad collection of current and archived versions of ALM's legal news publications. LexisNexis® and Bloomberg Law customers are able to access and use ALM's content, including content from the National Law Journal, The American Lawyer, Legaltech News, The New York Law Journal, and Corporate Counsel, as well as other sources of legal information.

For questions call 1-877-256-2472 or contact us at [email protected]